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Bunkitsu

Art direction / Branding / Concept making / Graphic design / Illustration / Logo design / Planning

Bunkitsu

While the publishing and bookstore industries as a whole are experiencing stagnation, the convenience of purchasing and reading books using IT technology, such as online shops and e-books, has become commonplace. Going to a physical bookstore is no longer a part of daily life, leading to a reevaluation of "the value of a bookstore in the city." To achieve this, a comprehensive design approach was taken, focusing on the purchasing and reading experiences of books, from business models to space and service design.
Specs
  • Date
  • 2023
  • Client
  • NIPPON SHUPPAN HANBAI INC.
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The entrance fee raises the sensitivity switch.

A bookshop with an entrance fee that offers a cultural experience. It sells approximately 30,000 books covering humanities, natural sciences, design, and art (one copy per title). The space includes a reading room for solitary book exploration, a research room for group use, and a café to satisfy hunger. Visitors can stay all day and enjoy unlimited coffee and green tea. The entrance fee is 1,500 yen (excluding tax) for a 140-tatami-mat area with 90 seats. Wi-Fi, power outlets, and lockers are available. To create a "bookstore for encountering books," the entrance fee system was designed to motivate customers. Some comments from customers include "It's like going to the movies but for books" and "If I drink three cups of coffee, it seems worth it." Customers consider the 1,500 yen fee as an opportunity to experience a variety of known services at the "book café."

To pursue encounters with books.

One title, one copy. No two identical books. Books are laid out in a disorganized manner, inducing serendipitous encounters between visitors and books. ・No book displays - Books are not placed out of reach. ・No unnecessary items like miscellaneous goods that hinder encounters with books. ・No duplicates of the same book (30,000 books = 30,000 different titles). ・Excessive captions are unnecessary.

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Logo/Typography

Creating new characters through the exchange of characteristics from two standard sets of characters commonly used in books, Japanese and English. Expressing the unique value of the bookstore's concept through the fusion of existing elements in a nuanced way, represented in the logo mark. Combining the distinctive features of Japanese (Ryumin) and English (Baskerville) typography. The original font will also be used for signage inside the store.

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Package / Goods

Expressing the excitement of unexpectedly encountering a favorite book at a bookstore with a warm, flushed pink color.

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Space/Display

The store's floor and various small fixtures are adorned with a soft blush pink, reminiscent of the feeling of a first love. The floor tiles feature a pattern called "Bunkitsu Check," which faithfully reproduces the grid pattern of manuscript paper, similar to book covers.

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A bookstore of empathetic relationships.

Presenting a new model to society that sets itself apart from the traditional bookstore business model and revenue structure, while selling books that have not received much attention until now. Market research / Concept development / Logo design / Package design / Display / Overall art direction / Selection of dishes and store fixtures / Exhibition space planning and design.

Member
  • CD
  • Wataru Nozaki
  • AD
  • Rie Kimoto
  • PM
  • Takenari Yoshida
  • Concept & Copy writing
  • Everybody
  • Design
  • Rie Kimoto
  • Space
  • Asako Inoue
  • Web
  • Hideki Fukunaga
  • PR
  • Monami Minomo
  • Smiles Co., Ltd.: Only the part of the project I am involved in has been authorized for publication while in employment. This does not pertain to projects received after the establishment of HARKEN Co., Ltd.

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