"One of the employees in a certain store was told this one day: 'When you wear SPINGLE MOVE, you feel lighter.' At first, it was just a trial, but the moment they put them on, they knew. An entirely new sensation enveloped their feet. In fact, such voices are quite common in our stores. These are the voices that come from spending the longest time with customers. It became the catalyst for realizing that what we are doing is not just making shoes."
Spingle
Art direction / Copy writing / Creative direction / Editing / Graphic designSPINGLE MOVE Rebranding Project
Reflecting on the past 20 years of SPINGLE MOVE, we created a brand book that honestly portrays our journey, both the successes and the areas where we fell short, to understand our current position. This brand book serves as a starting point to discover the direction for the next 20 years. HARKEN was responsible for the overall direction, editing, design, and copywriting of the entire brand book.
Its history traces back to rubber processing. In the thriving manufacturing region of Bingo, Fukuyama City, Hiroshima Prefecture, the rubber processing company NICHIMAN was founded 90 years ago in 1933. NICHIMAN primarily focused on rubber tiles and various products related to footwear, such as rubber boots, rubber-soled cloth shoes, and school shoes. At that time, foreign brand sneakers and low-priced casual sneakers were emerging rapidly. It was during this period that the idea for "doing something new that NICHIMAN couldn't do" arose from the company's president. This inspired a team of about 5 to 6 members to start what would later become Spingle Company. Over a period of five years, they dedicated themselves to product development, and in 2002, the brand was born.
SPINGLE MOVE has been highly praised for its "quality" so far. We never doubted that our unique method of vulcanization was our strength. However, when we asked our customers about its charm, they unanimously mentioned the "comfortable fit" as SPINGLE MOVE's greatest appeal. It became evident that the vulcanization process itself was not a significant factor for those who wear our shoes. Perhaps, our perspective was somewhat limited, and we didn't fully grasp the broader picture.
- Creative director
- Rie Kimoto
- Art director
- Hiroto Oda
- Designer
- Hiroto Oda
- Photographer
- Nanato Yamada
- Illustrator
- Yuki Maeda
- Director
- Kozo Kawamura
- Director
- Ken Taguma
- Executive director
- Makoto Tanijiri
- Printing
- 藤原印刷株式会社
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